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Reformation 1517‑2017

The face of Martin Luther stares out from the cover of this latest disc from the Choir of Clare College,...

Reviewed by Alexandra Coghlan in issue: AW17

Music for Troubled Times

William Lawes is better known for his instrumental music than for vocal music, and his brother Henry’s reputation today rests...

Reviewed by Fabrice Fitch in issue: AW17

Baroque Cantatas from Gdańsk

This enjoyable recording, the first of an intended series on music in Baltic countries, presents a series of Lutheran cantatas written...

Reviewed by Fabrice Fitch in issue: AW17

Baroque Cantatas from Gdańsk

This enjoyable recording, the first of an intended series on music in Baltic countries, presents a series of Lutheran cantatas written...

Reviewed by Fabrice Fitch in issue: AW17

VERDI Requiem (Dudamel)

If any Requiem is going to be suitable for performance in the 15,000-seat Hollywood Bowl, then I suppose it’s Verdi’s – famously operatic, by...

Reviewed by Hugo Shirley in issue: AW17

SCHUBERT Winterreise (Florian Boesch)

It’s less than six years since the release of Florian Boesch’s first recording of Winterreise, a widely praised Onyx account...

Reviewed by Hugo Shirley in issue: AW17

SCHUBERT Schwanengesang (Bo Skovhus)

I had my problems with Bo Skovhus’s recent Schöne Müllerin (7/17), and many of the same issues, alas, blight his...

Reviewed by Hugo Shirley in issue: AW17

SCHUBERT Der Einsame

The ever-increasing tenor population in the Schubert song discography reaches a peak of sorts with Ilker Arcayürek’s intelligently conceived recital, executed...

Reviewed by David Patrick Stearns in issue: AW17

PALMERI Magnificat

Martin Palmeri is an Argentinian composer, born in 1965. His trajectory is curious from a European perspective, but not so...

Reviewed by Ivan Moody in issue: AW17

NOWOWIEJSKI Quo vadis

Feliks Nowowiejski (1877-1946) is hardly a household name these days but at the beginning of the 20th century he was considered...

Reviewed by Ivan Moody in issue: AW17

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