Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Overcoming the prejudice and condescension of the Parisian establishment, Louise Farrenc (1804‑75) was the most successful female composer of her...
Reviewed by Richard Wigmore in issue: 12/2023
The Feininger Trio here bring together works of two Viennese masters, written when both were young men near the beginning...
Reviewed by Amy Blier-Carruthers in issue: 12/2023
Many 20th-century composers relished bringing borrowed materials into contact with the new modernist qualities, as a special kind of dramatic...
Reviewed by Arnold Whittall in issue: 12/2023
The title of Thomas Adès’s clarinet quintet is pregnant with implications of how composers turn base notes into musical gold,...
Reviewed by Peter Quantrill in issue: 12/2023
'Storm and Stress’ is a useful phrase to describe the emotional world explored by German-speaking composers in the latter part...
Reviewed by Richard Lawrence in issue: 12/2023
Mieczysław Weinberg was a prolific composer, so even though many of his pieces have been revived over the past 30...
Reviewed by Marina Frolova-Walker in issue: 12/2023
‘I produce music as an apple tree produces apples.’ What a fertile musical imagination Camille Saint-Saëns possessed. It’s easy to...
Reviewed by Mark Pullinger in issue: 12/2023
What next for Martinů fanciers? This, perhaps: the best of a clutch of releases exploring the music of his student,...
Reviewed by David Gutman in issue: 12/2023
As David Threasher informed us back in March 2021, the first volume of the teenage Mozart’s violin concertos from Aisslinn...
Reviewed by Rob Cowan in issue: 12/2023
‘Minasi’s Mozart never smiles’, wrote Richard Wigmore of the Italian conductor’s previous exploration of the symphonies (5/20) – two discs...
Reviewed by David Threasher in issue: 12/2023
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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