Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Semyon Bychkov and the Vienna Philharmonic brought Franz Schmidt’s Second Symphony to the BBC Proms in September 2015, only a...
Reviewed by Hugo Shirley in issue: 07/2017
I was a bit sniffy about this team’s First and Second Concertos (6/17), which I felt were perfectly good if...
Reviewed by Jeremy Nicholas in issue: 07/2017
In a break with protocol, you’ll find a pretty honest appraisal of the music on this disc in its own...
Reviewed by Andrew Mellor in issue: 07/2017
The Orchestre de l’Opéra National de Paris play Russian repertoire very well. In the past season I’ve heard them perform...
Reviewed by Mark Pullinger in issue: 07/2017
For her first Mozart release, Simone Dinnerstein chooses two of the composer’s most deservedly popular (and oft-recorded) concertos. She plays...
Reviewed by Jed Distler in issue: 07/2017
Of these two composers inspired to some extent by dreams, it’s the more easy-going Christian Lindberg who suggests that his...
Reviewed by Andrew Mellor in issue: 07/2017
There are still sceptics who cling to the notion that an atonal melody is a contradiction in terms. Such diehards...
Reviewed by Peter Quantrill in issue: 07/2017
Here’s another fascinating haul of historic Elgar recordings from Somm expertly compiled and restored by Lani Spahr. The 77-minute programme...
Reviewed by Andrew Achenbach in issue: 07/2017
Leonid Desyatnikov is best known as a film composer and for his flamboyant and colourful arrangement of Piazzolla’s Four Seasons...
Reviewed by Pwyll ap Siôn in issue: 07/2017
Lyrita’s mining of the Richard Itter archive continues with a further disc of Gordon Crosse, whose belated return to composing...
Reviewed by Richard Whitehouse in issue: 07/2017
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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