Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The race to celebrate the 2018 centenary of Leonard Bernstein’s birth is on. Performances and symposiums will abound, as will...
Reviewed by Donald Rosenberg in issue: 09/2017
The American lutenist Hopkinson Smith was born in 1946. This beautiful album of lute works melancholy and spry was recorded...
Reviewed by William Yeoman in issue: 09/2017
Today’s foremost champion of her compatriot George Enescu (1881-1955) begins with three of his early works, new to CD but...
Reviewed by Jeremy Nicholas in issue: 09/2017
It’s no coincidence that the two 20th-century classical guitarists most successful in encouraging composers to write for their instrument, and...
Reviewed by William Yeoman in issue: 09/2017
Ulrich Roman Murtfeld commences his second release devoted to American piano music with Alexander Reinagle’s charming two-movement D major Sonata....
Reviewed by Jed Distler in issue: 08/2017
You know you’re getting on a bit when record labels start issuing as ‘historic’ recordings which you bought when they...
Reviewed by Jeremy Nicholas in issue: 09/2017
As a postscript to his recordings of the complete symphonies, Joseph Nolan has mopped up the last crumbs of Widor’s...
Reviewed by Marc Rochester in issue: 09/2017
Tamsin Waley-Cohen has built up a wide-ranging discography for Signum and now turns to the music of her sister Freya...
Reviewed by Richard Whitehouse in issue: 09/2017
Studio Odradek is an audibly small, acoustically controlled space where the instrument is a (2008) Steinway Model B. To some...
Reviewed by Jeremy Nicholas in issue: 09/2017
If Erik Satie was championed by Debussy and Cocteau during his lifetime, popular fascination with this French iconoclast can credibly...
Reviewed by Patrick Rucker in issue: 09/2017
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.