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Review of Cecilia & Sol - Dolce Duello

Cecilia & Sol - Dolce Duello

A symphony in pink and blue, the candy-coloured hardback book is enough to give you toothache. The irrepressible Cecilia Bartoli...

Reviewed by Mark Pullinger in issue: 01/2018

Review of The Gate of Glory: Music from the Eton Choirbook Vol 5

The Gate of Glory: Music from the Eton Choirbook Vol 5

Well over six hours long, this series now surpasses The Sixteen’s as the largest discographic survey ever devoted to the...

Reviewed by Fabrice Fitch in issue: 12/2017

Review of Delphine Galou: Agitata

Delphine Galou: Agitata

This is a treasure trove of rare music, much of which must surely be receiving first recordings. Baroque opera has...

Reviewed by Lindsay Kemp in issue: 01/2018

Gramophone Classical Music Awards Winner
Review of SCHUBERT Winterreise (Bo Skovhus)

SCHUBERT Winterreise (Bo Skovhus)

Not usually a paragon of moderation or elegance, Bo Skovhus has continued his traversal of Schubert Lieder with a Winterreise...

Reviewed by David Patrick Stearns in issue: 01/2018

Review of RACHMANINOV All-night Vigil (Vasari Singers)

RACHMANINOV All-night Vigil (Vasari Singers)

The Vasari Singers join an ever-expanding field with this new recording of a work that was once considered very exotic...

Reviewed by Ivan Moody in issue: 12/2017

Review of Lyubov Petrova: Tchaikovsky & Rachmaninov Songs

Lyubov Petrova: Tchaikovsky & Rachmaninov Songs

With a half-Tchaikovsky, half-Rachmaninov programme, a Russian singer with an Anglo-friendly voice plus an even better pianist, this set is...

Reviewed by David Patrick Stearns in issue: 01/2018

Review of 99 Words

99 Words

Five world premieres and a beautifully constructed programme make this disc from Suzi Digby and London chamber choir Voce rather...

Reviewed by Alexandra Coghlan in issue: 01/2018

Review of LISZT Songs for Bass and Piano (Schwartz)

LISZT Songs for Bass and Piano (Schwartz)

Liszt’s songs were all originally written for high or middle voices, and there has been a tendency of late, as...

Reviewed by Tim Ashley in issue: 12/2017

Review of JANÁČEK Otčenáš KODÁLY Missa brevis POULENC Mass

JANÁČEK Otčenáš KODÁLY Missa brevis POULENC Mass

The Mass settings of Kodály and Poulenc were composed within six years of each other (1937-42), and with mixed choirs...

Reviewed by Peter Quantrill in issue: 01/2018

Review of HUGILL Quickening

HUGILL Quickening

Robert Hugill’s name may be familiar as the author of the classical music blog Planet Hugill, but he is also...

Reviewed by Guy Rickards in issue: 12/2017


 

Hi-Fi, Books, Reissues & Archive Reviews

Review - QUAD 33/303

Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...

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