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Review of Nathalie Stutzmann: Quella Fiamma - Arie Antiche

Nathalie Stutzmann: Quella Fiamma - Arie Antiche

Nathalie Stutzmann identifies a ‘Madeleine’ moment for her in this recording, recalling that Caldara’s ‘Sebben crudele’ was ‘the first aria...

Reviewed by Lindsay Kemp in issue: 12/2017

Review of Matthias Goerne: The Wagner Project

Matthias Goerne: The Wagner Project

When does an album become a project? Perhaps when it is spread over two CDs, as Matthias Goerne and Daniel...

Reviewed by Neil Fisher in issue: 01/2018

Review of WAGNER Die Walküre (Thielemann)

WAGNER Die Walküre (Thielemann)

A bizarre concept: a 50th-anniversary celebration of Karajan’s Salzburg Easter Festival by his major disciple Christian Thielemann which comprises a...

Reviewed by Mike Ashman in issue: 01/2018

Review of WAGNER Die Fliegende Holländer (Heras-Casado)

WAGNER Die Fliegende Holländer (Heras-Casado)

In a short booklet essay, the director of this Fliegende Holländer, Àlex Ollé, tells us that he and his creative...

Reviewed by Hugo Shirley in issue: 01/2018

Review of STRAUSS Salome (Orozco-Estrada)

STRAUSS Salome (Orozco-Estrada)

With a coupling of Ein Heldenleben and Macbeth released on Pentatone last year (11/16), Andrés Orozco-Estrada and the Frankfurt Radio...

Reviewed by Hugo Shirley in issue: 01/2018

Review of SCHOENBERG Moses und Aron

SCHOENBERG Moses und Aron

At least my colleague David Patrick Stearns will be pleased. He eagerly anticipated the release of this film in his...

Reviewed by Peter Quantrill in issue: 01/2018

Review of SAARIAHO Only the Sound Remains

SAARIAHO Only the Sound Remains

One part of the booklet describes Kaija Saariaho’s Only the Sound Remains as ‘two Noh plays’ and another ‘two short...

Reviewed by Andrew Mellor in issue: 01/2018

Review of Marina Rebeka: Amor fatale - Rossini Arias

Marina Rebeka: Amor fatale - Rossini Arias

After a Mozart disc, given a guarded welcome by Richard Wigmore in these pages (Warner Classics, 10/14), the Latvian soprano...

Reviewed by Hugo Shirley in issue: 12/2017

Review of RAMEAU Les Indes Galantes (Bolton)

RAMEAU Les Indes Galantes (Bolton)

It’s such a simple solution that it’s hard to believe it has taken this long for the opera world to...

Reviewed by Alexandra Coghlan in issue: 01/2018

Review of PUCCINI Tosca (Rattle)

PUCCINI Tosca (Rattle)

‘Ecco un artista’ says Tosca as her boyfriend flops to the floor, in fact mortally wounded and not showing any...

Reviewed by Neil Fisher in issue: 12/2017


 

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Review - QUAD 33/303

Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...

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