Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
If this disc is Bill Murray’s belated attempt to launch a crossover career as a crooner, it’s an unusual way...
Reviewed by Alexandra Coghlan in issue: 12/2017
‘Last Leaf’ refers to the last leaf of parchment in the Codex Runicus, a tome dating from around 1300 that contains one...
Reviewed by Andrew Mellor in issue: 12/2017
Of the numerous First World War-themed recordings that have come our way since 2014, this must be one of the...
Reviewed by Richard Bratby in issue: 12/2017
Does it matter if a classical work is either of uncertain origin, penned by a long-forgotten composer or stylistically atypical of its...
Reviewed by Charlotte Gardner in issue: 12/2017
Despite the title and repertoire, there is no singing on this well-chosen debut CD release by the Spanish ensemble L’Estro...
Reviewed by Lindsay Kemp in issue: 12/2017
The music of Galina Ustvolskaya (1919-2006) has divided opinion since bursting on to Western new music a quarter-century ago, and...
Reviewed by Richard Whitehouse in issue: 12/2017
>‘How could I possibly remember everything I composed for strings and winds? I particularly devoted myself to the composing of trios … People even flattered...
Reviewed by Charlotte Gardner in issue: 12/2017
I have some sympathy for DG. How do you market yet another Schubert Trout Quintet except by emphasising the stars of the...
Reviewed by Harriet Smith in issue: 12/2017
Two and a half years after his death, McCabe’s music continues to appear on disc (witness also the marvellous recordings of...
Reviewed by Guy Rickards in issue: 12/2017
Following their disc of Dvořák piano trios, which Rob Cowan much enjoyed (9/16), the Busch Trio are joined by viola player Miguel da Silva...
Reviewed by Harriet Smith in issue: 12/2017
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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