Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Following Prokofiev’s decision to reinvent himself as a Soviet composer, he wrote much that remains ideologically controversial. Less nakedly propagandist...
Reviewed by David Gutman in issue: 02/2018
Vocal music does not feature prominently in John Pickard’s catalogue. Alongside a few minor choral works and the imposing hour-long...
Reviewed by Guy Rickards in issue: 02/2018
Jacob Obrecht (1457/58-1505) is still not as well represented on disc as one might hope, despite having (briefly) succeeded Josquin...
Reviewed by Edward Breen in issue: 02/2018
Compared to the 1610 Vespers, the operas or the madrigals, Monteverdi’s Selva morale e spirituale has been rather poorly served...
Reviewed by Alexandra Coghlan in issue: 02/2018
The third volume of Malcolm Martineau’s Mendelssohn survey turns away from Felix to focus on songs by his sister, Fanny...
Reviewed by Tim Ashley in issue: 02/2018
Martinů never heard a live performance of his folk cantata, or ‘cycle of compositions to folk texts’, Kytice (‘Bouquet of...
Reviewed by Guy Rickards in issue: 02/2018
A native of Uppsala, Mårten Jansson (b1965) composes almost wholly sacred music (or ‘sacral’ as he terms it in his...
Reviewed by Malcolm Riley in issue: 02/2018
The eight verses of Dryden’s ‘Song for St Cecilia’s Day’ (1687) narrate the power of music from the creation of...
Reviewed by David Vickers in issue: 02/2018
Handel’s exact version of Messiah performed at the Foundling Hospital in May 1754 has been reconstructed for memorable recordings by...
Reviewed by David Vickers in issue: 02/2018
The gently punning title of this new recording from the countertenor Andreas Scholl comes from a quotation by Bach. In...
Reviewed by Alexandra Coghlan in issue: 02/2018
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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