Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Commissioned for Coventry’s new cathedral in 1961, Bliss’s cantata The Beatitudes was destined to be overshadowed by Britten’s War Requiem,...
Reviewed by Jeremy Dibble in issue: 03/2018
When Jonathan Freeman-Attwood reviewed the rather good B minor Mass from Jonathan Cohen and Arcangelo (11/14), he spoke of it...
Reviewed by Lindsay Kemp in issue: 03/2018
Scant documentation on Bach’s personal motivation and experiences encourages us to look more deeply into why particular works exist. In...
Reviewed by Jonathan Freeman-Attwood in issue: 03/2018
Gone are the days when a Christmas Oratorio was a three-CD affair. This one fits on two discs with room...
Reviewed by Peter Quantrill in issue: 03/2018
It makes sense to couple the two Shostakovich piano trios, even if his first work in the form is a...
Reviewed by David Gutman in issue: 03/2018
Céline Moinet and Florian Uhlig’s Schumann album places the Op 94 Romances for oboe and piano alongside a sequence of...
Reviewed by Tim Ashley in issue: 03/2018
Once read, it’s hard to forget, but best to lay aside Reger’s claim for his Op 77b String Trio as...
Reviewed by Peter Quantrill in issue: 03/2018
In 1969 Michael Parsons founded the Scratch Orchestra alongside Cornelius Cardew and Howard Skempton. Parsons’s music before then tended to...
Reviewed by Liam Cagney in issue: 03/2018
What could be better than Mozart in entertainment mode, writing with his characteristic sensitivity for wind instruments? And what could...
Reviewed by David Threasher in issue: 03/2018
The Berlin composer Johann Gottlieb Janitsch (1708-c1762) occasionally catches the ear on anthologies of music from the court of Frederick...
Reviewed by Lindsay Kemp in issue: 03/2018
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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