Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
If you only buy one classical disc advocating LSD and sodomy, make it this one. Philip Venables’s debut disc appears...
Reviewed by Liam Cagney in issue: 05/2018
In 2010 the Elias Quartet played the first of Schumann’s three string quartets at Wigmore Hall – a richly characterised,...
Reviewed by Andrew Farach-Colton in issue: 05/2018
Avie’s third release of music by Elena Ruehr (b1963) follows two well-received predecessors (11/12; 2/15) and other issues on Albany,...
Reviewed by Guy Rickards in issue: 05/2018
It may seem unfortunate for a two-CD set to total only 83 minutes, but then this is John Jenkins’s ‘complete...
Reviewed by Lindsay Kemp in issue: 05/2018
Up until now, when I’ve thought about Reinhold Glière, I’ve tended to think big and bold: the Russian Sailors’ Dance...
Reviewed by Richard Bratby in issue: 05/2018
Lying between Glass’s early, strict minimalist pieces of the late 1960s (Music in Fifths and Music in Similar Motion) and...
Reviewed by Pwyll ap Siôn in issue: 05/2018
‘Exceptional in almost every way’ best describes this beautifully produced box-set devoted to the lives and legacy of the Forquerays,...
Reviewed by Julie Anne Sadie in issue: 05/2018
James Joyce is to contemporary music what Shakespeare was to the Romantics. In the case of the Sirens episode from...
Reviewed by Liam Cagney in issue: 05/2018
Since the advent of CD, Dutilleux’s Ainsi la nuit has become a regular companion piece to the long-familiar pairing of...
Reviewed by Tim Ashley in issue: 05/2018
It’s easy to forget that when Beethoven’s Op 18 quartets appeared in 1801 Haydn had yet to publish his own...
Reviewed by Richard Bratby in issue: 05/2018
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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