Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
It’s nearly 25 years since Paul Hillier’s Theatre of Voices recorded this St Matthew Passion (Harmonia Mundi, 9/94). As I...
Reviewed by Fabrice Fitch in issue: 06/2018
Michel Lambert was admired as a singer, lutenist and teacher in 17th-century Paris and, while remembered today as Lully’s father-in-law,...
Reviewed by Julie Anne Sadie in issue: 06/2018
‘Leopold KoŽeluch is without question with young and old the most generally loved among our living composers, and this with...
Reviewed by Richard Wigmore in issue: 06/2018
Gabriel Suovanen suggested Lars Karlsson (b1953) write a song-cycle for him when the two men ran into one another at...
Reviewed by Andrew Mellor in issue: 06/2018
The avid amateur astronomer William Jackson (1730-1803) was director of music at Exeter Cathedral and a friend of Gainsborough. Michael...
Reviewed by David Vickers in issue: 06/2018
Little known today, Francesco Feo (1691 1761) was a Neapolitan composer and teacher, a contemporary of Leonardo Leo and Niccolò...
Reviewed by Mark Pullinger in issue: 06/2018
Nicholas Phan’s previous releases have shown him to be not only a fine singer but a fine programmer, too. His...
Reviewed by Hugo Shirley in issue: 06/2018
Listening to this bright and honest Missa solemnis brings memories of the 1970s and early ’80s, when period-instrument bands and...
Reviewed by Lindsay Kemp in issue: 06/2018
Consolation is, of course, a prevalent conceit in Bach’s expressive armoury (as dictated by the cyclical requirements of the church...
Reviewed by Jonathan Freeman-Attwood in issue: 06/2018
Many years ago I was hired to perform Beethoven’s C minor Variations with the Bill T Jones/Arnie Zane Dance Company....
Reviewed by Jed Distler in issue: 06/2018
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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