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Review of The Organ of St Bavo, Haarlem (Nolan)

The Organ of St Bavo, Haarlem (Nolan)

For his 10th Signum recording, Joseph Nolan travelled to Holland in 2017 to record on the renowned 1738 Christian Müller...

Reviewed by Malcolm Riley in issue: AW18

Review of Jakob Lindberg: Nocturnal

Jakob Lindberg: Nocturnal

It is not uncommon to find Benjamin Britten and John Dowland in the same classical guitar recital. It is less...

Reviewed by William Yeoman in issue: AW18

Review of 20th Century Organ Masterworks

20th Century Organ Masterworks

According to the University’s own website – the only details of the instrument provided in the booklet with this CD...

Reviewed by Marc Rochester in issue: AW18

Review of Drew Petersen plays Griffes, Ives, Carter, Zaimont, Barber

Drew Petersen plays Griffes, Ives, Carter, Zaimont, Barber

If the American pianist Drew Petersen’s name rings a bell it may be from his success in the 2015 Leeds...

Reviewed by Harriet Smith in issue: AW18

Review of STOCKHAUSEN Klavierstücke

STOCKHAUSEN Klavierstücke

Although they attracted attention primarily through their significance in the evolution of post-war European music, Stockhausen’s Klavierstücke are equally vital...

Reviewed by Richard Whitehouse in issue: AW18

Review of LISZT Piano Music (Tyler Hay)

LISZT Piano Music (Tyler Hay)

Piano Classics has recently released two discs by the 24-year-old British pianist Tyler Hay, one devoted to the music of...

Reviewed by Patrick Rucker in issue: AW18

Review of LIEBERMANN Piano Music Vol 3 (Korevaar)

LIEBERMANN Piano Music Vol 3 (Korevaar)

A teacher/broadcaster colleague once claimed Lowell Liebermann to be the most frequently performed contemporary composer among piano students at the...

Reviewed by Jed Distler in issue: AW18

Review of FAURÉ Complete Piano Works, Vol 4 (Pennetier)

FAURÉ Complete Piano Works, Vol 4 (Pennetier)

This fourth and final volume of Jean-Claude Pennetier’s traversal of all Fauré’s solo piano music is dedicated to the late...

Reviewed by Patrick Rucker in issue: AW18

Review of DEBUSSY Preludes SATIE Gnossiennes (Fazil Say)

DEBUSSY Preludes SATIE Gnossiennes (Fazil Say)

Given Fazıl Say’s proclivities for interpretative monkeyshines, I’m happy to report that the pianist largely exhibits good behaviour throughout this...

Reviewed by Jed Distler in issue: AW18

Review of Alice Sara Ott: Nightfall

Alice Sara Ott: Nightfall

The merger of light and darkness purports to govern the programme choices for Alice Sara Ott’s latest release, although her...

Reviewed by Jed Distler in issue: AW18


 

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Review - QUAD 33/303

Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...

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