Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The young Canadian violinist Blake Pouliot’s name will be new to most readers, because his career and competition wins have...
Reviewed by Charlotte Gardner in issue: 08/2018
The Neave Trio have turned to the French repertory for their second album for Chandos, wisely attempting, perhaps, to avoid...
Reviewed by Tim Ashley in issue: 08/2018
To a man with a hammer everything looks like a nail, and it’s easy enough to see why viola payers...
Reviewed by Richard Bratby in issue: 08/2018
In recent years there’s been no shortage of classical/electronica crossovers. Although well intentioned, the problem with many of them is...
Reviewed by Liam Cagney in issue: 08/2018
Beethoven’s solo cello music is enjoying a moment in the sun right now, with a series of excellent new recordings...
Reviewed by Richard Bratby in issue: 08/2018
There’s a lot to enjoy across this Bach flute programme, not least Stephen Schultz’s flute itself: a copy of an...
Reviewed by Charlotte Gardner in issue: 08/2018
Piano rarities rule the roost in this long-anticipated release. Let’s start with its rarest of rarest, a portion of the...
Reviewed by Jed Distler in issue: 08/2018
An attractive theme for a programme, this, with Clara Schumann rubbing shoulders with her husband, and Fanny Mendelssohn allowed to...
Reviewed by Jeremy Nicholas in issue: 08/2018
There is a strong Nigerian theme running through this enterprising programme: Theophilus Ayoola ‘Ayo’ Bankole (1935 76) and Christian Onyeji...
Reviewed by Guy Rickards in issue: 08/2018
Carlo Zecchi (1903 84): Italian pianist; brief but spectacular career between the wars; abandoned keyboard for the podium 1942; two...
Reviewed by Jeremy Nicholas in issue: 08/2018
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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