Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Contrary to the blurb on the back of the CD, Leslie Howard is not the first to record Beethoven’s The...
Reviewed by Jed Distler in issue: 09/2018
The Paris-born lutenist Thomas Dunford is known for his sensitive, imaginative continuo work in ensembles such as Jonathan Cohen’s Arcangelo....
Reviewed by William Yeoman in issue: 09/2018
Eighteen years after his death at the age of 69, Friedrich Gulda remains something of an iconoclast. Following his victory...
Reviewed by Patrick Rucker in issue: 09/2018
This is not ‘period’ solo Bach – the lingering lick of vibrato on the last note of the disc’s opening...
Reviewed by Lindsay Kemp in issue: 09/2018
English visitors to the Musée Cluny in Paris can be surprised to see its massive collection of Nottingham alabaster from...
Reviewed by David Fallows in issue: 09/2018
Forthright sits well on the Choir of The Queen’s College, Oxford. There’s an ingenuous freedom to their tone, sometimes almost...
Reviewed by Alexandra Coghlan in issue: 09/2018
A truly lovely programme, this, as generous as it is absorbing, devoted to songs spanning some 120 years by composers...
Reviewed by Andrew Achenbach in issue: 09/2018
Anyone familiar with the repertoire on this disc will know that it has been reflected and refracted through many artistic...
Reviewed by Hugo Shirley in issue: 09/2018
Nordic humility combined with Danish plain speaking to take the country’s unique song tradition in a new direction in the...
Reviewed by Andrew Mellor in issue: 09/2018
Making their song debut on Linn records, Jacques Imbrailo and Alisdair Hogarth offer a deeply satisfying two-part recital. Sibelius takes...
Reviewed by Hugo Shirley in issue: 09/2018
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.