Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The Peter Dickinson discography has increased substantially in the wake of his 80th birthday, and those having acquired the various...
Reviewed by Richard Whitehouse in issue: AW18
Chamber music acoustics can be a very personal thing. There’s a tendency today towards either crystal clarity or something a...
Reviewed by Richard Bratby in issue: AW18
Mozart once pronounced the Quintet for piano and wind instruments his favourite among all his works. It’s easy to see...
Reviewed by David Threasher in issue: AW18
Beethoven’s Septet of 1799-1800 was one of his early successes, leading to a number of arrangements for more manageable forces....
Reviewed by David Threasher in issue: AW18
Beethoven took tremendous care with his Op 1, striving to present himself to a wider public in the best possible...
Reviewed by Andrew Farach-Colton in issue: AW18
Antheil composed his Sonatina and Violin Concerto for Werner Gebauer, a German-born violinist who emigrated to the US in 1938....
Reviewed by Andrew Farach-Colton in issue: AW18
Kalevi Aho likes nothing more than a compositional problem to solve, as witness his 28 concertos, many for unlikely instruments....
Reviewed by Andrew Mellor in issue: AW18
The compelling repertoire that the Asia/America New Music Institute presents on its new disc, ‘Transcendent’, speaks volumes for the high...
Reviewed by Donald Rosenberg in issue: AW18
‘Early Departures’ refers to sadness, pain and loss, topics that Matei Varga purports to address in his solo debut recital....
Reviewed by Jed Distler in issue: AW18
Sergei Gorchakov’s orchestration of Mussorgsky’s Pictures was completed in 1955. This is the fifth recording of it I know of,...
Reviewed by Guy Rickards in issue: AW18
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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