Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Despite being rather imaginatively programmed and very strongly played, this disc is something of a missed opportunity. The album title...
Reviewed by Guy Rickards in issue: 12/2018
This is an engaging, albeit rather short programme of historical recordings from 1967 and 1974. The largest work by far...
Reviewed by Guy Rickards in issue: 01/2019
Minju Choi is a Korean-American pianist who has made a speciality of new American music in her recitals, so it...
Reviewed by Guy Rickards in issue: 01/2019
Sean Kennard’s assertive plunge into the Barber Sonata’s exposition sets the tone for the pianist’s excellent grasp of the opening...
Reviewed by Jed Distler in issue: 01/2019
Here is something surprising and welcome: the first recording of Franz Schmidt’s Quintet in A for piano left-hand, clarinet, violin,...
Reviewed by Donald Rosenberg in issue: 12/2018
John Harbison’s deeply felt, near hour-long Requiem was finished in 2002 after a long gestation period beginning almost two decades...
Reviewed by Laurence Vittes in issue: 12/2018
This is a disc of two halves. It opens with the greatest clarinet quintet ever penned and then abruptly switches...
Reviewed by Guy Rickards in issue: 01/2019
If you were hearing Mozart’s K449 and Beethoven’s Fourth Concerto for the first time via these reductions for string quintet...
Reviewed by Jed Distler in issue: 01/2019
The warm and mellifluous sound enveloping Javier Perianes’s coupling of Préludes Book 1 and Estampes is much in keeping with...
Reviewed by Jed Distler in issue: 01/2019
The Armenian pianist Lilit Grigoryan’s 2012 solo release containing sonatas by Scarlatti, Schumann and Bartók essentially revealed a highly capable...
Reviewed by Jed Distler in issue: 01/2019
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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