Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Steve Elcock’s engaging Clarinet Sextet (2014, rev 2017) started life as a concertino in 2001 and traverses a landscape full...
Reviewed by Guy Rickards in issue: 04/2019
Any misapprehensions of Biedermeier gentility are banished by bracingly antiseptic octaves and fifths to open this Death and the Maiden,...
Reviewed by Peter Quantrill in issue: 04/2019
How do you like your Bartók quartets served? With precision, passion, a sense of mystery or a sense of humour?...
Reviewed by Rob Cowan in issue: 04/2019
Bruno Philippe is still only 25 but you wouldn’t guess from the maturity of his musical thinking, which is coupled...
Reviewed by Harriet Smith in issue: 03/2019
While we’re not short of top-drawer recordings of Franck’s Violin Sonata, I’m still not sure whether I’ve ever encountered it...
Reviewed by Charlotte Gardner in issue: 03/2019
This is one terrific disc. For anyone who has ever mistakenly regarded the First Symphony as the romantic, Tchaikovsky-infused precursor...
Reviewed by Edward Seckerson in issue: 03/2019
Ewa Pobłocka’s name first came to my attention back in 1980, when she tied for fifth place in that year’s...
Reviewed by Jed Distler in issue: 03/2019
This is the first complete cycle of the symphonies recorded by a French orchestra, which isn’t so strange considering the...
Reviewed by Andrew Mellor in issue: 03/2019
I detailed the genesis of this extraordinary series for string orchestra – inspired not by some European aristocrat or royal,...
Reviewed by Guy Rickards in issue: 03/2019
'Baïka’ is the French transliteration of the Serbian ‘bajka’, meaning ‘tales’. It is the title of the Franco-Serbian violinist Nemanja...
Reviewed by Mark Pullinger in issue: 03/2019
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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