Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
DG celebrates its 120th anniversary by signing another ensemble and conductor from the East who have been developing increasing links...
Reviewed by Mike Ashman in issue: 04/2019
Marie Perbost takes her own Parisian upbringing as the starting point for her debut album in Harmonia Mundi’s ‘harmonia nova’...
Reviewed by Tim Ashley in issue: 04/2019
‘Travel first leaves you voiceless, before it turns you into a storyteller’, according to Shams ad-Din Abu Abdullah Muhammad ibn...
Reviewed by Edward Breen in issue: 04/2019
Founded just three years ago, Suzi Digby’s ORA Singers have already got six recordings under their belt and established a...
Reviewed by Alexandra Coghlan in issue: 04/2019
Robert King’s reconstruction of the musical parts of the coronation of King George II (Hyperion, 12/01) was a classic recording...
Reviewed by Lindsay Kemp in issue: 04/2019
The two major works on this generously filled disc are further examples of the blending of jazz and choral music...
Reviewed by Malcolm Riley in issue: 03/2019
Recordings of the Missa Gloria tibi Trinitas are hardly lacking, and the Leroy Kyrie featured on that first Tallis Scholars...
Reviewed by Fabrice Fitch in issue: 04/2019
Now on its 19th volume and approaching completion, Carus’s complete Schütz cycle – the first on record – has proved...
Reviewed by Alexandra Coghlan in issue: 04/2019
Serenatas were nocturnal concert pieces akin to cantatas for special occasions that could be performed in costume with a backdrop,...
Reviewed by David Vickers in issue: 04/2019
Currently a Harewood Artist at English National Opera, with a win at The Grange Festival’s inaugural International Singing Competition under...
Reviewed by Alexandra Coghlan in issue: 04/2019
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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