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Review of HEINICHEN Flavio Crispo

HEINICHEN Flavio Crispo

Flavio Crispo (1719/20) was abandoned during rehearsals. According to the eyewitness Quantz, the castrato Senesino lost his temper, tore up...

Reviewed by David Vickers in issue: 05/2019

Review of GLUCK Orohée et Euridice (Mariotti)

GLUCK Orohée et Euridice (Mariotti)

On August 2, 1774, Gluck presented Orphée et Euridice at the Paris Opéra. It was an expanded version, now called...

Reviewed by Richard Lawrence in issue: 05/2019

Review of GÁL Das Lied der Nacht (Hotz)

GÁL Das Lied der Nacht (Hotz)

‘One of the most powerful operatic experiences ever!’ was how one critic described Das Lied der Nacht after its Breslau...

Reviewed by Tim Ashley in issue: 05/2019

Review of CHABRIER L'Étoile (Fournillier)

CHABRIER L'Étoile (Fournillier)

Given its growing popularity, it comes as something of a surprise to discover that Chabrier’s wonderful 1877 opéra-bouffe has for...

Reviewed by Tim Ashley in issue: 05/2019

Review of CAVALLI Il Giasone (Alarcón)

CAVALLI Il Giasone (Alarcón)

There’s something riotous about Il Giasone. Cavalli’s 1649 opera – the most-performed of the 17th century – positively delights in...

Reviewed by Alexandra Coghlan in issue: 05/2019

Review of TCHAIKOVSKY Complete Works for Solo Piano (Valentina Lisitsa)

TCHAIKOVSKY Complete Works for Solo Piano (Valentina Lisitsa)

Valentina Lisitsa is bold, fearless and forthright to just the right degree in the early works, keen to relish every...

Reviewed by Jeremy Nicholas in issue: 05/2019

Review of Alexander Krichel: An die ferne Geliebte

Alexander Krichel: An die ferne Geliebte

Since Alexander Krichel’s remarkable 2011 debut recording, with its compelling Liszt B minor Ballade and selections from the second Année...

Reviewed by Patrick Rucker in issue: 05/2019

Review of Mikhail Pletnev: Live from Moscow, 1979

Mikhail Pletnev: Live from Moscow, 1979

Mikhail Pletnev was 21 when he won the Gold Medal at the 1978 Tchaikovsky Competition, and if there were any...

Reviewed by David Fanning in issue: 05/2019

Review of WIDOR Organ Symphonies 5, 6, 8-10 (Christian Schmitt)

WIDOR Organ Symphonies 5, 6, 8-10 (Christian Schmitt)

Time was when Charles-Marie Widor was known only for his Toccata in F, which, in all its multitudinous recorded versions,...

Reviewed by Marc Rochester in issue: 05/2019

Review of SAY Troy Sonata

SAY Troy Sonata

You don’t have to know that Fazıl Say’s 10-part Troy Sonata is a musical parallel to Homer’s Iliad in order...

Reviewed by Jed Distler in issue: 05/2019


 

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