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Review of GOMES Lo schiavo (Neschling)

GOMES Lo schiavo (Neschling)

Born in Brazil, Antônio Carlos Gomes was a breakthrough composer – the first non-European to score an operatic success in...

Reviewed by Mark Pullinger in issue: 01/2020

Review of GLUCK Orphée et Eurydice (Pichon. Bicket)

GLUCK Orphée et Eurydice (Pichon. Bicket)

Opera directors today seem to have difficulty in coping with Gluck’s retelling of the Orpheus legend, where – in both...

Reviewed by Richard Lawrence in issue: 01/2020

Review of Song's First Cycle: Mozart, Schubert, Beethoven, Weber

Song's First Cycle: Mozart, Schubert, Beethoven, Weber

Robin Tritschler and Malcolm Martineau explore the early history of the song-cycle in this thoughtful recital, which flanks Beethoven’s An...

Reviewed by Tim Ashley in issue: 01/2020

Review of Remember me, my dear

Remember me, my dear

Once heard, never forgotten, Norwegian saxophonist Jan Garbarek and The Hilliard Ensemble, Garbarek the Blakean serpent weaving among the angels....

Reviewed by Rob Cowan in issue: 01/2020

Review of Nowell synge we bothe al and som: A Feast of Christmas Music in Medieval England

Nowell synge we bothe al and som: A Feast of Christmas Music in Medieval England

It seems extraordinary that this should be Gothic Voices’ first Christmas-themed album; nevertheless, it has been worth the wait to...

Reviewed by Edward Breen in issue: 01/2020

Review of New England Choirworks

New England Choirworks

A casual listener tuning into a selection of today’s contemporary choral music may easily be led to believe that only...

Reviewed by Pwyll ap Siôn in issue: 01/2020

Review of From Darkness into Light

From Darkness into Light

A tale of two Florentine manuscripts copied by the scribe Fra Antonio Moro leads the intrepid musicologist Laurie Stras to...

Reviewed by Edward Breen in issue: 01/2020

Review of Evensong Live 2019: Anthems and Canticles

Evensong Live 2019: Anthems and Canticles

If you’ve followed the ‘Evensong Live’ series you’ll know that the ‘live’ bit is more accurate than the ‘Evensong’ bit....

Reviewed by Andrew Mellor in issue: 01/2020

Review of WOLFE Fire in my Mouth

WOLFE Fire in my Mouth

Julia Wolfe’s music often draws on America’s chequered cultural and social history as subject matter for compositions which – in...

Reviewed by Pwyll ap Siôn in issue: 01/2020

Review of SIBELIUS Kullervo (Lintu)

SIBELIUS Kullervo (Lintu)

The worst possible preparation for Kullervo is, arguably, Sibelius’s later symphonies and tone poems, all of which Hannu Lintu and...

Reviewed by Andrew Mellor in issue: 01/2020


 

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