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PETTERSSON Vox Humana. 6 Sånger

Allan Pettersson’s cantata Vox humana (1974) was composed in close proximity to his choral Twelfth Symphony, De döda på torget....

Reviewed by Guy Rickards in issue: 01/2020

Kathleen Ferrier in New York

A treasure, to be sure. Four years before Bruno Walter’s celebrated, indeed classic Vienna recording (1952) with Kathleen Ferrier, the...

Reviewed by Edward Seckerson in issue: 02/2020

LISZT Complete Songs Vol 6 (Julia Kleiter)

The German soprano Julia Kleiter joins Julius Drake for the sixth volume of Hyperion’s Liszt survey, which covers the years...

Reviewed by Tim Ashley in issue: 02/2020

KARLSONS Oremus: Sacred Choral Works

Juris Karlsons is one of Latvia’s most distinguished composers, with an extensive output and having occupied some of the highest...

Reviewed by Ivan Moody in issue: 01/2020

HELLINCK Missa Surrexit pastor bonus LUPI motets

Forget the glamour of Hollywood’s Rat Pack, the 16th century had a Wolf Pack of musicians whose names derive from...

Reviewed by Edward Breen in issue: 01/2020

HARVEY Evensong

Richard Harvey’s album ‘Kyrie’ (2017) saw the film composer rework and rearrange several themes and cues into a choral context....

Reviewed by Pwyll ap Siôn in issue: 01/2020

Kate Lindsey: Arianna

Kate Lindsey’s second solo album, like her first (9/17), takes her away from the classic lyric repertoire with which she...

Reviewed by Lindsay Kemp in issue: 02/2020

EÖTVÖS Halleluja - oratorium balbulum; Alle vittime senza nome

Peter Eötvös’s Halleluja (2015) is styled ‘oratorium balbulum’ – a stammering oratorio – and subtitled ‘Four Fragments’. The latter does...

Reviewed by Guy Rickards in issue: 01/2020

BERLIOZ Messe solennelle (Niquet)

It’s nearly 30 years now since John Warrack, in these pages, hailed the sudden rediscovery of a copy of this...

Reviewed by Mike Ashman in issue: 02/2020

Ruby Hughes: Clytemnestra

The ghost of Richard Strauss’s Klytemnestra in Elektra hovers over the final work on the soprano Ruby Hughes’s new BIS...

Reviewed by Hugo Shirley in issue: 02/2020

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