Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The Yellow Label is pushing out the boat for John Williams, with ‘Across the Stars’ following in quick succession from...
Reviewed by Adrian Edwards in issue: AW2019
As I noted when reviewing violinist Arabella Steinbacher’s tribute to him earlier this year (Pentatone, 1/19), the output of Richard...
Reviewed by Hugo Shirley in issue: AW2019
The very opening of Rachmaninov’s Second Piano Concerto is a good indicator of how the pianist views the piece and...
Reviewed by Harriet Smith in issue: AW2019
It seems impossible to discuss Gabriel Prokofiev’s music without some reference being made to his famous grandfather, Sergey Prokofiev. Yet...
Reviewed by Pwyll ap Siôn in issue: AW2019
My reaction to this release is more or less the same as to the one I reviewed three years ago...
Reviewed by Jeremy Nicholas in issue: AW2019
As person and pianist, Gabriela Montero has always been unequivocal in outlook and it is little surprise she has turned...
Reviewed by Richard Whitehouse in issue: AW2019
Following the example of Berlioz (and before him Beethoven in the Pastoral), the central subject of the First Symphony (and...
Reviewed by Peter Quantrill in issue: AW2019
Nelson Goerner introduced me (and, I suspect, 99.9 per cent of Gramophone readers) to the name of Józef Krogulski (1815...
Reviewed by Jeremy Nicholas in issue: AW2019
Music is nothing without some degree of generic and geographical cross fertilisation and the work of Airat Ichmouratov is one...
Reviewed by David Gutman in issue: AW2019
These cheery works are Haydn’s earliest concertos, composed in the early to mid-1750s when he was eking out a living...
Reviewed by Richard Wigmore in issue: AW2019
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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