Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The popularity of Gounod’s Faust in the half-century or so since its unveiling was such that New York’s Metropolitan Opera...
Reviewed by Hugo Shirley in issue: AW2019
Completed in 1950, Beatrice Cenci was one of five operas commissioned to mark the Festival of Britain in 1951. Only...
Reviewed by Tim Ashley in issue: AW2019
What happened to the once flourishing muse of Italian opera between Turandot (1926, a date now regarded as a watershed...
Reviewed by Mike Ashman in issue: AW2019
Don’t turn up empty-handed of an evening chez Rattle. While a bottle of red wine and a bouquet of flowers...
Reviewed by Mark Pullinger in issue: AW2019
St Catharine of Alexandria, blessed patron saint of (among others) scholars, girls, wheelwrights and hat-makers, the ‘brightest jewel’ herself, is...
Reviewed by Malcolm Riley in issue: AW2019
He may be a church music insider, but while Andrew Nethsingha has been advancing the 70-year-old qualities embodied by this...
Reviewed by Andrew Mellor in issue: AW2019
It’s over 15 years since Ian Bostridge released his EMI recording of Schubert’s final song-cycle and the intervening years have...
Reviewed by Hugo Shirley in issue: AW2019
Gerald Finley is never an artist, one feels, to let himself be rushed, allowing his interpretations to mellow and mature...
Reviewed by Hugo Shirley in issue: AW2019
Rautavaara’s All-Night Vigil was written for two services at Helsinki’s Orthodox Cathedral, the first on August 29, 1971, the feast...
Reviewed by Andrew Mellor in issue: AW2019
Harry Christophers presents two odes (neither of them ‘Welcome Songs for Charles II’), three diverse sacred anthems, a couple of...
Reviewed by David Vickers in issue: AW2019
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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