Review - Charles Ives: The RCA and Columbia Album Anthology
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
Mozart proclaimed the wind-and-piano quintet of 1784 his favourite among all his works, and the young Beethoven clearly modelled his...
Reviewed by David Threasher in issue: 03/2020
This wonderful disc transports the counterpoint of Johann Sebastian Bach from the solitary universe of the keyboardist’s fingertips – and...
Reviewed by Mark Seow in issue: 03/2020
Before conducting Bruckner’s Eighth Symphony in December 2019, Zubin Mehta put his finger on the ‘unbelievable flexibility’ of the modern...
Reviewed by Peter Quantrill in issue: 03/2020
Three of the works on this superbly performed and recorded CD are purely orchestral and could be described as tone...
Reviewed by Guy Rickards in issue: 03/2020
By no means synonymous with new music, Andris Nelsons has yet maintained the Boston Symphony’s illustrious track record for commissions...
Reviewed by Richard Whitehouse in issue: 03/2020
That Heinz Winbeck (1946-2019) was relatively unknown outside his native Germany only confirms the lack of recognition accorded Austro-German symphonism...
Reviewed by Richard Whitehouse in issue: 03/2020
If Ottavio Dantone and his Accademia Bizantina aren’t already ringing bells of recognition in your heads for the many fine...
Reviewed by Charlotte Gardner in issue: 03/2020
Following Daniel Lozakovich’s acclaimed DG debut (8/18), this Tchaikovsky album brings his artistry into sharper focus. The Concerto was recorded...
Reviewed by Andrew Farach-Colton in issue: 03/2020
This Sibelius Fourth reminded me of the reaction to the symphony’s first performance in April 1911 from the critic Bis,...
Reviewed by Andrew Mellor in issue: 03/2020
The main work in Jun Märkl and the Malmö Symphony’s survey of Saint-Saëns rarities is the Act 3 ballet from...
Reviewed by Tim Ashley in issue: 03/2020
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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