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CZERNY Nocturnes (Roberte Mamou)

It’s the fate of the Austrian composer Carl Czerny to be known not as the composer of over 1000 compositions...

Reviewed by Adrian Edwards in issue: 04/2024

BROWN 24 Preludes and Fugues (Nathan Williamson)

In 2011 Christopher Brown began composing 24 Preludes and Fugues for piano, completing them in time for his 70th birthday...

Reviewed by Jed Distler in issue: 04/2024

BEETHOVEN Piano Sonatas Nos 7, 8 & 12 (Gianluca Cascioli)

For his first recording on a fortepiano, Gianluca Cascioli has chosen works by Beethoven composed and published between 1796 and...

Reviewed by Patrick Rucker in issue: 04/2024

BEETHOVEN Complete Variations for Piano, Vol 2 ( Cédric Tiberghien)

Cédric Tiberghien’s notion of mixing things up, done with such mastery in the first volume of his complete Beethoven variations...

Reviewed by Harriet Smith in issue: 04/2024

JS BACH Organ Works Vol 5 (Masaaki Suzuki)

As with Vol 4 of Masaaki Suzuki’s Bach series (A/23), this new disc was recorded in Grauhof’s Stiftskirche St Georg,...

Reviewed by Malcolm Riley in issue: 04/2024

Anastasia Kobekina: Venice

Silvestrov, Dowland, Shaw, Rota, Brian Eno … none of these names immediately suggest Venice, but the fact that they appear...

Reviewed by Charlotte Gardner in issue: 04/2024

A Room of Her Own

‘A Room of Her Own’ continues the Neave Trio’s exploration of works by female composers begun four years ago with...

Reviewed by Tim Ashley in issue: 04/2024

The Golden Hour: Francoeur, Rebel, Leclair

The hour referenced in the title is the period in the early decades of the 18th century when Italian influence...

Reviewed by Lindsay Kemp in issue: 04/2024

SCHUMANN Works with Wind Instruments

Whatever you think of Schumann’s orchestrational abilities, he had a marvellous sense of instrumental character. How perfectly suited the three...

Reviewed by Andrew Farach-Colton in issue: 04/2024

SCHUBERT Octet (Berlin Philharmonic Orchestra Soloists)

While clarinettists and violinists – horn players, too – may disagree, Schubert’s hedonistic Octet has always seemed to me virtually...

Reviewed by Richard Wigmore in issue: 04/2024

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