Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
For the final instalment of the ‘Resound Beethoven’ series, recorded in Viennese venues that survive from the composer’s day, Martin...
Reviewed by Andrew Farach-Colton in issue: 03/2020
One of the choicest offerings thus far this celebratory Beethoven year is the powerfully compelling collaboration of Kristian Bezuidenhout and...
Reviewed by Patrick Rucker in issue: 03/2020
Alexandre Tharaud has been nothing if not enterprising over his choice of repertoire, and this is equally evident in the...
Reviewed by Richard Whitehouse in issue: 03/2020
I haven't been this struck by the orchestral expositions to Chopin's concertos since Jun Märkl with the Scottish Chamber Orchestra...
Reviewed by Harriet Smith in issue: 03/2020
Buzz Brass’s previous recordings have included a version of The Planets for an expanded ensemble including organ and ‘Preludes and...
Reviewed by Guy Rickards in issue: 01/2020
Voces Musicales are an Estonian chamber choir founded in 1999. Their only other disc currently available in Presto Classical’s database...
Reviewed by Guy Rickards in issue: 01/2020
In an absorbing album of music written since the turn of the century, Paul Reale displays his Prospero-like command of...
Reviewed by Laurence Vittes in issue: 02/2020
When David Maslanka died on August 7, 2017, barely five weeks after his wife and three weeks shy of his...
Reviewed by Guy Rickards in issue: 02/2020
On paper, the idea of Bach’s Fourth Partita and Schumann’s Davidsbündlertänze bookending the recorded premiere of Caroline Shaw’s 14-minute Gustave...
Reviewed by Jed Distler in issue: 02/2020
The Latvian soprano Maija Kovalevska first came to prominence in 2006 when she won Plácido Domingo’s Operalia competition, which led...
Reviewed by Mark Pullinger in issue: 02/2020
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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