Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
I’ve always admired the modesty and truthfulness of James Ehnes as a player – and you can hear that modesty...
Reviewed by Edward Seckerson in issue: 05/2024
With these two albums, Gianandrea Noseda and the NSO of Washington DC conclude their Beethoven symphony cycle, and I’m left...
Reviewed by Andrew Farach-Colton in issue: 05/2024
Bartók was never fully content with The Wooden Prince and this final revision marks an end to his tinkering. It...
Reviewed by Edward Seckerson in issue: 05/2024
In the booklet notes, Leonidas Kavakos is clearly keen for us to know that he has experimented with playing on...
Reviewed by Mark Seow in issue: 05/2024
Emanuel Bach, second son of JS, was famous for his rhapsodising at the clavichord in his Hamburg home. As the...
Reviewed by Richard Wigmore in issue: 05/2024
Unsurprisingly perhaps, the inquisitive, explorative and dynamic approach one hears in Timo Andres’s piano-playing also comes through in his own...
Reviewed by Pwyll ap Siôn in issue: 05/2024
Ever since Yunchan Lim became the youngest-ever winner of the Van Cliburn Gold Medal in June 2022, the piano grapevine...
Reviewed by David Fanning in issue: 05/2024
The repertoire on Velvet Brown’s fourth recording for Crystal is of such absorbing interest and the playing of such high...
Reviewed by Laurence Vittes in issue: 05/2024
David Bernard and his dedicated amateur orchestra continue their recorded traversal of the standard orchestral repertoire with this set of...
Reviewed by Andrew Farach-Colton in issue: 05/2024
Arnold Rosner’s extraordinary Requiem (A/20) was my Critics’ Choice for 2020, the third volume of his orchestral works (5/19) my...
Reviewed by Guy Rickards in issue: 05/2024
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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