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Review of POULENC Piano Concerto. Concert champêtre

POULENC Piano Concerto. Concert champêtre

The incomparable Mark Bebbington, to whom British music owes more than a tip of the hat, turns his attention to...

Reviewed by Patrick Rucker in issue: 06/2020

Review of MOZART Piano Concertos Nos 22 & 24 (Richard-Hamelin)

MOZART Piano Concertos Nos 22 & 24 (Richard-Hamelin)

In these unworldly times of enforced social lockdown it’s interesting what gives emotional succour. I’d been revelling in the discovery...

Reviewed by Harriet Smith in issue: 06/2020

Review of MOZART Piano Concertos Nos 17 & 23 (Ben Kim)

MOZART Piano Concertos Nos 17 & 23 (Ben Kim)

Ben Kim (b1983, Portland, Oregon) studied with Leon Fleisher and has been a protégé of Martha Argerich. His recording activity...

Reviewed by David Threasher in issue: 05/2020

Review of MAHLER Symphony No 6 (Netopil)

MAHLER Symphony No 6 (Netopil)

Here’s a Mahler Sixth that comes with its own historical context. Unlikely as it may now seem, Essen was where...

Reviewed by Edward Seckerson in issue: 06/2020

Review of MACMILLAN Symphony No 5. The Sun Danced (Christophers)

MACMILLAN Symphony No 5. The Sun Danced (Christophers)

To Mahler’s well-known remark that the symphony must be like the world, containing everything, James MacMillan appears to be finding...

Reviewed by Pwyll ap Siôn in issue: 06/2020

Review of GOEHR After The Waking MATTHEWS Postludes

GOEHR After The Waking MATTHEWS Postludes

The past decade has seen contemporary music accorded much greater presence on Wigmore Hall programmes, the three pieces featured here...

Reviewed by Richard Whitehouse in issue: 05/2020

Review of FARRENC Symphony No 1 (König)

FARRENC Symphony No 1 (König)

Though Louise Farrenc’s chamber music, much of it long neglected, has gradually been restored to the repertory in recent years,...

Reviewed by Tim Ashley in issue: 06/2020

Review of ELGAR Violin Concerto (Nicola Benedetti)

ELGAR Violin Concerto (Nicola Benedetti)

A sense of dignified reserve distinguishes Vladimir Jurowski’s handling of the Concerto’s opening tutti, with plenty of telling woodwind detail...

Reviewed by Rob Cowan in issue: 06/2020

Review of CZERNY Concertino. Grand Concerto No 2 (Bonynge)

CZERNY Concertino. Grand Concerto No 2 (Bonynge)

Carl Czerny gave the Viennese premiere of Beethoven’s Emperor Concerto in 1812 and a mere 12 days later started work...

Reviewed by David Threasher in issue: 06/2020

Review of BRAHMS Piano Concerto No 2. Handel Variations (Lars Vogt)

BRAHMS Piano Concerto No 2. Handel Variations (Lars Vogt)

Hot on the heels of their impressive Brahms D minor Concerto (1/20), the Royal Northern Sinfonia with Lars Vogt as...

Reviewed by Patrick Rucker in issue: 06/2020


 

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