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Review of J STRAUSS II Ritter Pásmán (Wallberg)

J STRAUSS II Ritter Pásmán (Wallberg)

For such a popular composer, we hear astonishingly little of Johann Strauss II. The familiar waltzes and polkas are barely...

Reviewed by Richard Bratby in issue: 07/2021

Review of SCHREKER Der ferne Klang (Weigle)

SCHREKER Der ferne Klang (Weigle)

This recording of Schreker’s second opera, Der ferne Klang, derives from live performances in Frankfurt, the city where the work...

Reviewed by Christian Hoskins in issue: 07/2021

Review of MOZART The Magic Flute (Niquet)

MOZART The Magic Flute (Niquet)

Mozart composed his pantomime-allegory for a Viennese suburban audience, knowing that every word and joke would be readily understood. When...

Reviewed by Richard Wigmore in issue: 07/2021

Review of HANDEL Rodelinda (Bicket)

HANDEL Rodelinda (Bicket)

Triumphantly premiered at the King’s Theatre on February 13, 1725, Rodelinda was the third of the trio of masterpieces, after...

Reviewed by Richard Wigmore in issue: 07/2021

Review of HANDEL Ariodante (Capuano)

HANDEL Ariodante (Capuano)

The basic premise of this production is completely bonkers. The first warning comes during the Overture: as the cast freezes,...

Reviewed by Richard Lawrence in issue: 07/2021

Review of GOUNOD Faust (Ettinger)

GOUNOD Faust (Ettinger)

Premiered as long ago as 2004 (although telecast, then pirated, quite early in its life), this production was one of...

Reviewed by Mike Ashman in issue: 07/2021

Review of ARNE Artaxerxes (Page)

ARNE Artaxerxes (Page)

A lot has changed in the decade since this Artaxerxes was originally released. Ian Page’s Classical Opera Company has become...

Reviewed by Alexandra Coghlan in issue: 07/2021

Review of Kate Lindsey: Tiranno

Kate Lindsey: Tiranno

Last year Kate Lindsey, Jonathan Cohen and Arcangelo brought together Handel, Haydn and Alessandro Scarlatti in a fascinating exploration of...

Reviewed by Lindsay Kemp in issue: 07/2021

Review of Freddie De Tommaso: Passione

Freddie De Tommaso: Passione

When I first heard Freddie De Tommaso – as Cassio in Otello at Covent Garden – I noted how he...

Reviewed by Mark Pullinger in issue: 07/2021

Review of Isolation Songbook

Isolation Songbook

Some of us baked, others did DIY, and most of us managed our daily walks. Mezzo Helen Charlston and baritone...

Reviewed by Alexandra Coghlan in issue: 07/2021


 

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