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Review of BEETHOVEN Piano Concerto No 1 (Rudolf Buchbinder)

BEETHOVEN Piano Concerto No 1 (Rudolf Buchbinder)

Time was when it was all but impossible to get musicians to concede that there might be other orchestras worthy...

Reviewed by Patrick Rucker in issue: 01/2021

Review of MARTINŮ Violin Concertos Nos 1 & 2 BARTÓK Sonata for Solo Violin (Frank Peter Zimmermann)

MARTINŮ Violin Concertos Nos 1 & 2 BARTÓK Sonata for Solo Violin (Frank Peter Zimmermann)

Despite the eminence of the coupling of the Bartók Solo Sonata, the two Martinů concertos are the main event on...

Reviewed by Guy Rickards in issue: 01/2021

Review of Quatra Duo: Painted Music

Quatra Duo: Painted Music

This is a deceptively straightforward disc, intended primarily as the debut recording of this husband-and-wife duo. It even opens with...

Reviewed by Guy Rickards in issue: 12/2020

Review of STROZZI Opus 8, 1664 Part 1

STROZZI Opus 8, 1664 Part 1

This splendid and authoritative recital by Elissa Edwards and Richard Kolb of arias and cantatas from Barbara Strozzi’s last published...

Reviewed by Laurence Vittes in issue: 12/2020

Review of LI World Map (Four Corners Ensemble)

LI World Map (Four Corners Ensemble)

Shuying Li (b1989) is a Chinese-born, American-resident composer. She studied initially at the Shanghai Conservatory of Music but won a...

Reviewed by Guy Rickards in issue: 12/2020

Review of GOLIJOV Falling Out of Time

GOLIJOV Falling Out of Time

Though conceived and created well before the pandemic, Osvaldo Golijov’s latest collaboration with Silkroad Ensemble seems uncannily well suited to...

Reviewed by Thomas May in issue: 12/2020

Review of ADAMS Lines Made by Walking

ADAMS Lines Made by Walking

Patrick Kilbey’s Contemporary Composers profile (2/18) of John Luther Adams (b1953) remains the best general introduction to the music of...

Reviewed by Guy Rickards in issue: 12/2020

Review of RAMEAU Les Boréades (Luks)

RAMEAU Les Boréades (Luks)

Much uncertainty surrounds the origins of Rameau’s last opera. It used to be thought that it was withdrawn when the...

Reviewed by Richard Lawrence in issue: 12/2020

Review of PUCCINI Il Tabarro (Janowski)

PUCCINI Il Tabarro (Janowski)

When reviewing Marek Janowski’s Dresden Philharmonic Cavalleria rusticana (8/20), Hugo Shirley noted that the conductor ‘hardly gets down and dirty...

Reviewed by Mark Pullinger in issue: 12/2020

Review of O'REGAN The Phoenix (Summers)

O'REGAN The Phoenix (Summers)

Opera about opera is a dangerous business when the art form needs to emphasise its relevance and broaden its reach,...

Reviewed by Andrew Mellor in issue: 12/2020


 

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