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Review of M RICHTER Exiles

M RICHTER Exiles

Max Richter’s recordings are often based on a central concept or idea – Vivaldi in The Four Seasons Recomposed (2/13),...

Reviewed by Pwyll ap Siôn in issue: 10/2021

Review of PISTON Concerto for Orchestra

PISTON Concerto for Orchestra

A colleague of mine once described Walter Piston as the American Albert Roussel. The comparison befits Piston’s neoclassical orientation and...

Reviewed by Jed Distler in issue: 10/2021

Review of MOZART Violin Concertos Nos 3 & 4 (Francesca Dego)

MOZART Violin Concertos Nos 3 & 4 (Francesca Dego)

The opening tutti of K216 sets the template: lucid textures underpinned by a light, athletic bass line, springy rhythms and...

Reviewed by Richard Wigmore in issue: 10/2021

Review of MARTIN Violin Concerto. Esquisse (Svetlin Roussev)

MARTIN Violin Concerto. Esquisse (Svetlin Roussev)

Among Frank Martin’s more recorded works, his Violin Concerto (1951) has seldom been revived in concert; a pity, given its...

Reviewed by Richard Whitehouse in issue: 10/2021

Review of A LLOYD WEBBER 'Symphonic Suites'

A LLOYD WEBBER 'Symphonic Suites'

The symphonic suite has quite a pedigree, from those seeking to bask in the drama and hit tunes of favourite...

Reviewed by Edward Seckerson in issue: 10/2021

Review of GUIDO; VIVALDI The Four Seasons (2 CD + DVD)

GUIDO; VIVALDI The Four Seasons (2 CD + DVD)

You can always count on the Château de Versailles team to come up with an eminently classy-feeling musical bundle and...

Reviewed by Charlotte Gardner in issue: 10/2021

Review of FARRENC Symphonies Nos 1 & 3 (Equilbey)

FARRENC Symphonies Nos 1 & 3 (Equilbey)

Louise Farrenc’s three symphonies represent a double triumph: over sexual prejudice, in an age when female creative artists suffered from...

Reviewed by Richard Wigmore in issue: 10/2021

Review of DOHNÁNYI Tante Simona. American Rhapsody. Suite WEINER Serenade

DOHNÁNYI Tante Simona. American Rhapsody. Suite WEINER Serenade

Talk about coincidental musical similarities. The opening of the overture to Dohnányi’s one-act opera buffa Tante Simona (1911 12) is...

Reviewed by Rob Cowan in issue: 10/2021

Review of CHOPIN Piano Concerto No 2. Four Scherzos (Seong-Jin Cho)

CHOPIN Piano Concerto No 2. Four Scherzos (Seong-Jin Cho)

My immediate reaction to the opening track – the first of the Four Scherzos – was ‘fast, furious, fantastic fingers,...

Reviewed by Jeremy Nicholas in issue: 10/2021

Review of BRUCKNER Symphony No 6 (Mena)

BRUCKNER Symphony No 6 (Mena)

This recording was made under studio conditions a month before Juanjo Mena and the BBC Philharmonic performed the symphony at...

Reviewed by Christian Hoskins in issue: 10/2021


 

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