Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
As Adám Fischer’s Düsseldorf Mahler cycle has evolved, a clearer picture has emerged of his choices and priorities. He’s a...
Reviewed by Edward Seckerson in issue: 06/2021
This is a rather belated release of a live 2006 concert that pairs a new Mozart-inspired work, receiving its Japanese...
Reviewed by Michelle Assay in issue: 06/2021
There are many points of contact between Peter Eötvös’s Third Violin Concerto Alhambra (here receiving its premiere recording) and Stravinsky’s...
Reviewed by Edward Seckerson in issue: 06/2021
I can offer two possible reasons why it took around seven decades for Korngold’s 1923 Concerto for the Left Hand...
Reviewed by Jed Distler in issue: 06/2021
This second release in Christian Thielemann’s new cycle of the Bruckner symphonies with the Vienna Philharmonic was recorded in the...
Reviewed by Christian Hoskins in issue: 06/2021
Two fascinating releases, both of which utterly confound expectations. The high point, for me, is the slow movement of the...
Reviewed by Rob Cowan in issue: 06/2021
The accepted view is that Beethoven’s heroic style died a heroic death in the drum-banging, flag-waving political projects he took...
Reviewed by Peter Quantrill in issue: 06/2021
In 2007 Naxos issued a set of live performances of all five Beethoven piano concertos stemming from that year’s Bonn...
Reviewed by Jed Distler in issue: 06/2021
The blossoming rapport between Thomas Adès and the Britten Sinfonia documented on the first two volumes of their Beethoven cycle...
Reviewed by Andrew Farach-Colton in issue: 06/2021
How inspiring that something so enriching should have come out of lockdown, for the three concertos and the Masonic Funeral...
Reviewed by Harriet Smith in issue: 06/2021
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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