Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Lockdown clearly had some consolations. Andrew Litton describes how, with their international careers temporarily on hold, he and his wife...
Reviewed by Richard Bratby in issue: 02/2022
Brahms supposedly destroyed 20 string quartets before publishing his first. His friend Dvořák took a slightly less ruthless approach. Although...
Reviewed by Richard Bratby in issue: 02/2022
This is Michael Collins’s third recording of Brahms’s Clarinet Sonatas. The first was made with Mikhail Pletnev and coupled with...
Reviewed by Andrew Farach-Colton in issue: 02/2022
The two works on this album, appearing on record for the first time, are typical of the stylistic versality of...
Reviewed by Christian Hoskins in issue: 02/2022
This is big, traditional playing, expressive and full-bodied, with plentiful vibrato and where each quartet member enters into a communal...
Reviewed by Rob Cowan in issue: 02/2022
Some nice moments almost tie together the performance of the Ouverture burlesque on this all-Telemann album. The Akademie für Alte...
Reviewed by Mark Seow in issue: 02/2022
Carl Stamitz (1745-1801) is not the most historically famous composer in his family – that would be his father Johann,...
Reviewed by Lindsay Kemp in issue: 02/2022
This set of Schubert’s symphonies arrives just in time for the 225th anniversary of the composer’s birth. While a good...
Reviewed by David Threasher in issue: 02/2022
Here’s a tale of two Röntgens. On the first CD, we have the Seventh of the composer’s 24 symphonies, composed...
Reviewed by Andrew Farach-Colton in issue: 02/2022
Something of a revelation, this disc, this programme – and, for the creator of Appassionato, Mathieu Herzog (late of the...
Reviewed by Edward Seckerson in issue: 02/2022
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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