Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Hungarian-born Klára Würtz is a matured child prodigy with a difference: her pianism sidesteps overt display or affectedness in favour...
Reviewed by Rob Cowan in issue: 05/2022
Volume 6 in Benjamin Alard’s cycle covering JS Bach’s complete keyboard output brings us The Well-Tempered Clavier, Book 1. It’s...
Reviewed by Jed Distler in issue: 05/2022
I was lucky enough to review the first volume of ‘Mozart Momentum’ (6/21) and this second one, centred around 1786,...
Reviewed by Harriet Smith in issue: 05/2022
Has Diabelli’s innocent theme ever been given such a sharp profile, I wonder? The grace notes are fractionally elongated, so...
Reviewed by David Fanning in issue: 05/2022
This programme of interactive electronic music by composer-improvisers Jane Rigler, Curtis Bahn and Thomas Ciufo was recorded live on a...
Reviewed by Laurence Vittes in issue: 04/2022
The title of this disc is misleading. Beth Mehocic (1953-2022) composed a good deal more than the six works collated...
Reviewed by Guy Rickards in issue: 04/2022
It took Dana Lyn eight years to create what might be described as a musical diorama accompanying the process by...
Reviewed by Laurence Vittes in issue: 04/2022
One of the greatest joys of being a reviewer is encountering an unfamiliar compositional voice. Adrienne Elisha (1958-2017) was a...
Reviewed by Guy Rickards in issue: 04/2022
The title of John Aylward’s five-movement suite, performed on a New Focus disc by members of Klangforum Wien, comes from...
Reviewed by Donald Rosenberg in issue: 04/2022
In the booklet note for her second solo album, Nadine Sierra waxes lyrical about how she was formed as a...
Reviewed by Tim Ashley in issue: 04/2022
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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