Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Nearly four years since Signum’s release of Schubert’s Winter Journey (5/18) and Swan Song (11/18), we get on to the...
Reviewed by Hugo Shirley in issue: 07/2022
The challenge of any Schubert recital is translating all that is implied by his miniature masterworks into a keyhole view...
Reviewed by David Patrick Stearns in issue: 07/2022
Domenico Scarlatti is best known for the hundreds of keyboard sonatas that he composed during the latter part of his...
Reviewed by Richard Lawrence in issue: 07/2022
I’m sure baritone soloist Florian Sempey and conductor Marc Minkowski won’t mind if I first praise the four other heroes...
Reviewed by Mark Seow in issue: 07/2022
The sensual wrestle between pleasure and pain is at the core of many of the texts set in Monteverdi’s Fourth...
Reviewed by Alexandra Coghlan in issue: 07/2022
Three cheers for this enterprising anthology from Resonus Classics, which adds no fewer than 19 items already published by G...
Reviewed by Andrew Achenbach in issue: 07/2022
This is not the first time Stephan MacLeod has recorded Ich habe genug, nor even the second. He sang it...
Reviewed by Lindsay Kemp in issue: 07/2022
The standout performance here was specifically commissioned for this album: Through the Fog by Laura Snowden. It is an eerie...
Reviewed by Mark Seow in issue: 07/2022
In these days of customary moans that all string players sound the same (especially among the younger generation, where teaching...
Reviewed by Charlotte Gardner in issue: 07/2022
Is there a more audacious way to commence your solo debut recording than by diving into Nikolai Kapustin’s wildly rhapsodic...
Reviewed by Jed Distler in issue: 07/2022
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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