Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Nothing in recent years has given the true Elgarian more pleasure than the revival of interest in his music among...
Reviewed in issue 2/1989
Both of these concertos were captured live in Birmingham’s Symphony Hall and present an exciting and intelligent young partnership, well...
Reviewed in issue 13/1999
Three great joys await prospective listeners to this pair of discs. First there is the sublime collection of chorale preludes,...
Reviewed by Marc Rochester in issue: 10/1997
The relative merits of the three front-runners in this field—Davis (Philips), Muti (EMI) and Abbado DG)—were well rehearsed by JW...
Reviewed by Lionel Salter in issue: 5/1986
If Gretchen's tender personification of The Eternal Feminine ultimately triumphs over the forces of evil, then I suppose one shouldn't...
Reviewed in issue 1/1995
It is now exactly ten years ago that Sigiswald Kuijken and Gustav Leonhardt recorded Bach's six sonatas for violin and...
Reviewed by Nicholas Anderson in issue: 8/1984
Concerto Köln celebrates 25 years with highly accomplished readings of Bach’s staple “orchestral” suites. Directed by three of its members...
Reviewed by Jonathan Freeman-Attwood in issue: 1/2011
If you enjoyed Susanne Heinrich’s solo Abel album (1/08), you’ll want this release. Hume’s music stands at the opposite end...
Reviewed by Julie Anne Sadie in issue: 5/2010
It takes some believing that these were all written by the same person, even allowing for the fact that Enescu's...
Reviewed by Lionel Salter in issue: 2/1992
I gave a warm welcome to Vol. 1 of this series of Ives songs (9/91) and included it in my...
Reviewed by Peter Dickinson in issue: 3/1992
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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