Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
After many years of inexplicable neglect by the record companies, John Ireland’s glorious Second Violin Sonata of 1917 (the work...
Reviewed by Andrew Achenbach in issue: 11/1996
These five works of Vinko Globokar's range in date from 1966 (Accord) to 1983 (Discours VI), and all exploit the...
Reviewed by Arnold Whittall in issue: 7/1993
Goetz’s Second Concerto was first recorded in the early 1970s by Michael Ponti, one of many forgotten gems he unearthed...
Reviewed by Jeremy Nicholas in issue: 1/2011
As with Paavo Järvi’s recent Prokofiev coupling (3/08), it’s the makeweight that strikes sparks. Veljo Tormis is mostly familiar as...
Reviewed by David Gutman in issue: 6/2009
The popular Khachaturian Concerto of 1940 has been recorded by its dedicatee David Oistrakh under the composer's own baton, and...
Reviewed by Robert Layton in issue: 3/1991
After the success of the film version of Dan Brown’s novel The Da Vinci Code, Angels and Demons follows on...
Reviewed by Adrian Edwards in issue: 10/2009
Like most composers of his time, Vivaldi began his publishing career with sonatas. His sonatas, although just as strongly marked...
Reviewed by Stanley Sadie in issue: 4/2004
This CD contains one of the most sensational accounts of the Appassionata that I have yet heard. It beggars belief...
Reviewed by James Methuen-Campbell in issue: 3/1993
These were Jan Latham-Koenig’s valedictory 2001 recordings with the Strasbourg Philharmonic and as pianist in partnership with Joan Rodgers in...
Reviewed by Ivan March in issue: 6/2011
This, Andre Previn's second recording of the work, arrived just too late to be included in my Gramophone ''Collection'' survey...
Reviewed in issue 3/1995
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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