Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
The word ‘vision’ is much misused these days yet to talk of Nikolaus Harnoncourt’s ‘view’ of Bruckner’s Fifth won’t quite...
Reviewed by Richard Osborne in issue: 4/2005
Invited audiences at the BBC's invaluable orchestral concerts all know what tremendous work the house orchestras put in, sometimes with...
Reviewed in issue 11/1994
Whatever performance may in the meantime have intervened, listening to Seefried’s Frauenliebe again is like returning to base, to the...
Reviewed by Alan Blyth in issue: 3/1996
Richard Rodney Bennett is probably better acquainted with The King’s Singers’ sound than anyone else. It’s telling, then, that of...
Reviewed by Marc Rochester in issue: 8/1996
The lighter pieces are set in between the more serious, more substantial ones: the Introduction and Allegro, the Serenade, the...
Reviewed in issue 1/1987
Good things apparently do come in pairs. Having so recently praised the Orlando Consort’s survey of sacred music from the...
Reviewed by Fabrice Fitch in issue: 1/1996
Here is music-making to wonder at. Rarely can the two concertos have been performed with such meticulous care and affection....
Reviewed by Bryce Morrison in issue: 9/2006
At first glance it seemed odd to me that an ostensibly countertenor programme of music by Vivaldi should have omitted...
Reviewed by Nicholas Anderson in issue: 4/1996
The fount of creative energy that has sustained Poul Ruders since the late 1960s shows no sign of running dry....
Reviewed by David Fanning in issue: 10/2011
In many ways, Valerie Masterson is the closest thing we have to Galli-Curci. Her training is Italianate, she is almost...
Reviewed by Alan Blyth in issue: 7/1986
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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