Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
The Chung Trio recorded their performances in the Vienna Konzerthaus, which clearly has a very lively acoustic. The pianist in...
Reviewed in issue 2/1990
Catalonia's rich store of folk-song is inevitably coloured by that province's long history of hardship and repression from France and...
Reviewed by Lionel Salter in issue: 7/1992
These days the 18th century’s most famous torso – one of the most recorded pieces in the classical catalogue –...
Reviewed by Richard Wigmore in issue: 10/2005
Anyone who still nurtures suspicions that period-instrument performances are expressionless or 'objective' should lend an ear to this very appealing...
Reviewed in issue 12/1988
The recital begins with Keats and ends with Shakespeare: that can’t be bad. But it also begins with Stanford and...
Reviewed by John Steane in issue: 13/1999
Bach added no indication of tempo to the scores of the WTK; the performer is left to his own devices...
Reviewed by John Duarte in issue: 4/2001
Within weeks of his accession to the Prussian throne in 1740 Frederick the Great had appointed Carl Heinrich Graun as...
Reviewed by Nicholas Anderson in issue: 6/1996
The Vegh's classic accounts of Opp. 74, 127 ( V4405, 6/87) and 131 and 135 ((D V4408, 6/87) have already...
Reviewed by Robert Layton in issue: 4/1988
Modern solo trumpet-players performing Baroque concertos still appear to draw heavily on the same works (if in different arrangements) that...
Reviewed by Jonathan Freeman-Attwood in issue: 11/2009
There have in all been more than 70 recordings of the Sibelius Concerto. The Heifetz/Beecham account for the Sibelius Society...
Reviewed by Robert Layton in issue: 2/1992
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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