Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
In his admirable study of Spohr (Louis Spohr: a critical biography—Cambridge: 1984), Clive Brown quotes a pretty devastating review by...
Reviewed by John Warrack in issue: 11/1985
Schubert and Brendel are repackaged once again, and this time in a compilation which concentrates the ear and mind particularly...
Reviewed by hfinch in issue: 5/1994
Seventeenth-century Spanish music is far less well represented on disc than the great cathedral polyphonic repertory of the sixteenth: the...
Reviewed by Tess Knighton in issue: 7/1992
It’s a measure of the international standing of Barber that, a year after his centenary, a British pianist has come...
Reviewed by Peter Dickinson in issue: 11/2011
Cortot said that no one had written like Chabrier for the piano; and it is significant that his first work...
Reviewed by Lionel Salter in issue: 8/1992
Decca have already had a go at reassembling three of these Poulenc recordings (Enterprise, 7/90), but now, with two discs...
Reviewed by Lionel Salter in issue: 7/1996
It is good that Teldec has picked up where Sony left off in issuing a complete edition of Ligeti’s authorized...
Reviewed in issue 5/2001
One can think of lots of reasons why Dvorak's symphonic poems have never attained the recognition or popularity of those...
Reviewed by John Steane in issue: 10/1991
For those who revere JS Bach’s music, especially his organ works, an understanding of its antecedents is essential. Although his...
Reviewed by Malcolm Riley in issue: 12/2011
Confronted with a booklet-note comparing Nicholas Maw to Brahms, describing him as a genius and this concerto as a masterpiece,...
Reviewed by Michael Oliver in issue: 1/2000
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.