Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Here is a strong, intelligent performance of Mendelssohn’s greatest symphony. Not even in the Italian Symphony did he achieve such...
Reviewed by John Warrack in issue: 4/2003
Clementi's success as a performer, teacher, composer, music publisher and piano manufacturer made him an important figure in the history...
Reviewed in issue 12/1993
Krystian Zimerman was in his early twenties when he recorded the Chopin concertos for DG two decades ago, with Carlo...
Reviewed by Jed Distler in issue: 13/1999
This is a glorious record. Chandos have provided a wonderful quality of sound; it is warm, atmospheric and totally natural,...
Reviewed in issue 7/1986
The Immortal Hour is part of theatrical folklore: In London in the early 1920s it ran, unprecedentedly, for 216 consecutive...
Reviewed by Michael Oliver in issue: 3/1984
Joaquin Turina has left me cold, hitherto, so I was surprised to have warmed to his Serenata (1942). A warm,...
Reviewed by Guy Rickards in issue: 10/2000
After a prolonged absence Rubinstein returned to Russia in 1964, gave one of his greatest recitals, and set musical Moscow...
Reviewed by Bryce Morrison in issue: 3/1997
Semper Dowland, semper dolens. And indeed, the melancholy strain is never far from view in this latest selection of John...
Reviewed by William Yeoman in issue: 4/2006
It is, perhaps, a curious reflection in the face of so much godly doctrine, but I found myself wondering what...
Reviewed by John Steane in issue: 8/2000
Eva Urbanova’s ringing dramatic soprano will already be familiar to collectors of Smetana’s operas who have acquired the Supraphon sets...
Reviewed by John Warrack in issue: 11/1999
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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