Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Since winning First Prize in the 2012 Tokyo International Viola Competition, Chinese player Wenting Kang has gotten around, playing in...
Reviewed by Andrew Farach-Colton in issue: 10/2022
The catalogue of William McClelland (b1950), as viewed on his website wmcclelland.com, is relatively modest in numbers, divided largely between...
Reviewed by Guy Rickards in issue: 10/2022
The String Orchestra of Brooklyn’s new album features first recordings of works that transform notions of what 22 strings and...
Reviewed by Laurence Vittes in issue: 10/2022
Cellists must be eternally grateful to Beethoven for his role in transforming their instrument from supporting player to fully fledged...
Reviewed by Donald Rosenberg in issue: 10/2022
Half the action of The Passenger takes place in the hell-on-earth of Auschwitz and the other half in the false...
Reviewed by David Fanning in issue: 10/2022
There are many memorable fat knights in the Falstaff discography, so it’s all the more splendid to have another Sir...
Reviewed by Neil Fisher in issue: 10/2022
In his 1718 autobiography Telemann mentioned that in Frankfurt he had composed about 20 serenatas for weddings. These were entirely...
Reviewed by David Vickers in issue: 10/2022
Alas, the music of Schütz’s Dafne is entirely lost. Whether or not the ‘pastoral tragi-comedy’ was really the first German...
Reviewed by David Vickers in issue: 10/2022
Thanks to Barrie Kosky’s production at the Royal Opera, everyone now imagines that Shostakovich’s opera The Nose contains a scene...
Reviewed by Marina Frolova-Walker in issue: 10/2022
When Offenbach’s Le voyage dans la Lune opened in Paris in 1875, every single review mentioned Jules Verne. Verne himself...
Reviewed by Richard Bratby in issue: 10/2022
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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