Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
The Belgian violinist Arthur Grumiaux made his debut in 1940 and established himself after the war as a consistently fine...
Reviewed by Christopher Headington in issue: 9/1993
Guatemala is not a country that has made much impact on the musical scene. Researches into the native Quiche Indian...
Reviewed by Lionel Salter in issue: 2/1997
Since the withdrawal of the monumental recording of the complete sonatas by the late Scott Ross, unwisely offered only as...
Reviewed by John Duarte in issue: 10/2003
Naxos's use of 'conventional' forces for this performance of Bach's great Passion belies a sensitivity to scale and nuance which...
Reviewed by Jonathan Freeman-Attwood in issue: 8/1994
Handel's publisher, Walsh, issued six Concerti grossi, Op. 3 in 1734. One of these, the Fourth Concerto of the set,...
Reviewed by Nicholas Anderson in issue: 6/1993
Chandos continue releasing their Nielsen cycle by the late-lamented Bryden Thomson and the Royal Scottish Orchestra by coupling the Espansiva...
Reviewed by Robert Layton in issue: 2/1993
Vol 10 of Naxos's “Great Pianists” consists of 21 bonnes bouches with which the incomparable fi Moiseiwitsch enchanted his adoring...
Reviewed by Bryce Morrison in issue: 3/2007
Composers who harness a post-modern musical language to symbolic representations of spiritual life are ten-a-penny these days. But composers who...
Reviewed in issue 6/1994
This is a Hammerklavier of no mean distinction—as it needs to be if it is to hold an honourable place...
Reviewed in issue 9/1992
This is pretty well what such things should be. The mind learns almost equally by eye and by ear. Enough...
Reviewed in issue 8/1998
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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