Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Cherubini's overtures were once quite popular concert items, as is indicated by an old two-volume Breitkopf & Hartel miniature score...
Reviewed by John Warrack in issue: 9/1992
In his new book The Philosophy of Schopenhauer (OUP: 1983), Bryan Magee devotes a long appendix to the relationship between...
Reviewed by Alan Blyth in issue: 10/1983
This is not the first disc to couple Dvorák’s lone violin concerto with one of his chamber works. Sarah Chang’s...
Reviewed by Edward Greenfield in issue: 11/2004
The great Basilica of the Escorial wears an unusually bright expression for this concert. ‘The heart of Spanish civilization is...
Reviewed by John Steane in issue: 2/2003
Memory has a trick of losing the good, the nice and the normal, and retaining only the oddities, which then...
Reviewed by jswain in issue: 9/1986
This is a recording of what was not only the first performance of Eugene Onegin in Russian at the Vienna...
Reviewed by John Warrack in issue: 1/2005
Much of what Tobias Picker does sounds and feels familiar. It’s the attitude that begins to make the difference. In...
Reviewed by Edward Seckerson in issue: 3/2003
Highly as I recommended the compelling performance conducted by Sir Edward Downes emanating from Covent Garden (and expertly directed for...
Reviewed by Alan Blyth in issue: 7/1997
Most recordings of Petrushka use Stravinsky's revised score of 1947, made, so he said, to reduce the 'wastefully' large orchestra...
Reviewed by Michael Oliver in issue: 4/2000
So intoxicated was Bax by the dazzling spectacle and artistry of the Ballets Russes during Diaghilev's 1911 Coronation Season at...
Reviewed by Andrew Achenbach in issue: 5/2008
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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