Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Murray Perahia’s English Suites (his first Bach recordings) originally appeared as full-price individual releases, beginning with Nos 1, 3 and...
Reviewed by Jed Distler in issue: 11/2008
Judged purely on the evidence of this CD, you'd never guess that these two performances involve the same orchestra and...
Reviewed by Rob Cowan in issue: 4/2000
Two essays introduce the recording, one called ‘Rediscovering a masterpiece’, the other much the same but emphasizing the surprise of...
Reviewed in issue 10/1999
Berlioz’s Symphonie fantastique was always something of a Concertgebouw speciality in those faraway days when the work still had the...
Reviewed by Richard Osborne in issue: 7/2000
Readers who recall broadcasting in the late-1940s and early-1950s will have reason to thank the Holland Festival for many memorable...
Reviewed by Robert Layton in issue: 10/1997
The music of Zelenka is worth the occasional visit. It is easy when reading about his life – which ended...
Reviewed by Lindsay Kemp in issue: 4/2006
The music of Robert de Visée (c1650-c1732) – musician at the courts of Louis XIV and Louis XV, where he...
Reviewed by William Yeoman in issue: 1/2009
First, let me challenge a common chauvinistic preconception—that Janacek cannot 'sound' properly outside Czechoslovakia. Rawness, airiness, clarity and various other...
Reviewed in issue 4/1994
EMI have done Werther proud over the years. The first complete recording (1931), conducted by Elie Cohen, with Georges Thill...
Reviewed by Patrick O'Connor in issue: 12/2003
In a creative life that was defined by public bust-ups with convention, the 1958 New York Town Hall performance of...
Reviewed by Philip_Clark in issue: 12/2009
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.