Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
For those in far-flung foreign places and younger readers, the name of Max Jaffa may be unfamiliar. Born in London...
Reviewed by Jeremy Nicholas in issue: AW22
The seaside town of Guéthary lies on the south-west coast of France in the region known as the Basque Country....
Reviewed by Pwyll ap Siôn in issue: AW22
This might be more precisely named ‘The Enescu Octet Project’, since it was prompted by Nicolas Dautricourt’s chance discovery (in...
Reviewed by Guy Rickards in issue: AW22
Formed in 2017 by the orchestra’s section leaders at the suggestion of Daniel Barenboim, the Berlin Staatskapelle Quartet make their...
Reviewed by Tim Ashley in issue: AW22
‘Some of the most extraordinarily gawky music that [Mozart], so rarely in the slightest awkward, ever wrote.’ Thus Paul Griffiths...
Reviewed by David Threasher in issue: AW22
This is a golden age for Mendelssohn string quartets, once treated with faint condescension but now recognised as arguably the...
Reviewed by Richard Wigmore in issue: AW22
When Marais published La gamme et autres morceaux de symphonie in 1723, he was 67 years old. He would die...
Reviewed by Mark Seow in issue: AW22
Nearly a quarter of a century since recording Britten’s three Solo Suites (Erato, 4/01) and re-recording the Cello Symphony (12/99),...
Reviewed by Andrew Farach-Colton in issue: AW22
As much as Biber’s Rosary (or Mystery) Sonatas of c1674 are wonderful, it does seem a shame that we only...
Reviewed by Charlotte Gardner in issue: AW22
‘That bass line was meant to sound gruff! These semiquavers scatter effortlessly in the upper register.’ Pianist Jan Rautio offers...
Reviewed by Richard Bratby in issue: AW22
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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