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Review of Love Is Like a Violin: Salon Treasures from the Max Jaffa Library

Love Is Like a Violin: Salon Treasures from the Max Jaffa Library

For those in far-flung foreign places and younger readers, the name of Max Jaffa may be unfamiliar. Born in London...

Reviewed by Jeremy Nicholas in issue: AW22

Review of Guéthary

Guéthary

The seaside town of Guéthary lies on the south-west coast of France in the region known as the Basque Country....

Reviewed by Pwyll ap Siôn in issue: AW22

Review of The Enescu Project

The Enescu Project

This might be more precisely named ‘The Enescu Octet Project’, since it was prompted by Nicolas Dautricourt’s chance discovery (in...

Reviewed by Guy Rickards in issue: AW22

Review of PUCCINI; TCHAIKOVSKY; VERDI String Quartets

PUCCINI; TCHAIKOVSKY; VERDI String Quartets

Formed in 2017 by the orchestra’s section leaders at the suggestion of Daniel Barenboim, the Berlin Staatskapelle Quartet make their...

Reviewed by Tim Ashley in issue: AW22

Review of MOZART String Quartets, Vol 5 (Armida Quartet)

MOZART String Quartets, Vol 5 (Armida Quartet)

‘Some of the most extraordinarily gawky music that [Mozart], so rarely in the slightest awkward, ever wrote.’ Thus Paul Griffiths...

Reviewed by David Threasher in issue: AW22

Review of MENDELSSOHN Compete String Quartets, Vol 1 (Quatuor van Kuijk)

MENDELSSOHN Compete String Quartets, Vol 1 (Quatuor van Kuijk)

This is a golden age for Mendelssohn string quartets, once treated with faint condescension but now recognised as arguably the...

Reviewed by Richard Wigmore in issue: AW22

Review of MARAIS La gamme

MARAIS La gamme

When Marais published La gamme et autres morceaux de symphonie in 1723, he was 67 years old. He would die...

Reviewed by Mark Seow in issue: AW22

Review of BRIDGE; BRITTEN; DEBUSSY Cello Sonatas (Truls Mørk)

BRIDGE; BRITTEN; DEBUSSY Cello Sonatas (Truls Mørk)

Nearly a quarter of a century since recording Britten’s three Solo Suites (Erato, 4/01) and re-recording the Cello Symphony (12/99),...

Reviewed by Andrew Farach-Colton in issue: AW22

Review of BIBER Sonatae Violino Solo 1681

BIBER Sonatae Violino Solo 1681

As much as Biber’s Rosary (or Mystery) Sonatas of c1674 are wonderful, it does seem a shame that we only...

Reviewed by Charlotte Gardner in issue: AW22

Review of BEETHOVEN Piano Trios, Op 1 Nos 1 & 2 (Rautio Piano Trio)

BEETHOVEN Piano Trios, Op 1 Nos 1 & 2 (Rautio Piano Trio)

‘That bass line was meant to sound gruff! These semiquavers scatter effortlessly in the upper register.’ Pianist Jan Rautio offers...

Reviewed by Richard Bratby in issue: AW22


 

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