Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
In its purposeful symphonic thrust and unsentimental objectivity, Sir Roger Norrington's interpretation of Elgar's First Symphony is basically in the...
Reviewed by Andrew Achenbach in issue: 6/2000
Composed in 1788 for the wheeler-dealer virtuoso violinist Johann Tost, the three Op. 54 works contain more florid and flamboyant...
Reviewed by Richard Wigmore in issue: 12/1995
MacDowell’s star may have faded to near oblivion over the years. Yet even when his very personal and oddly touching...
Reviewed by Bryce Morrison in issue: 1/1996
The Brahms Variations and the Bach/Busoni were recorded in London on October 26th and 27th, 1948 respectively. Michelangeli was still...
Reviewed by James Methuen-Campbell in issue: 8/1993
A protégée of Kiri Te Kanawa, Julia Lezhneva reportedly stole the show singing Rossin at last year’s Classical BRIT Awards....
Reviewed by Richard Wigmore in issue: 7/2011
The Tenth is not one of the Shostakovich symphonies that needs sandblasting Soviet-era sonorities to make its proper impact. Still,...
Reviewed by David Gutman in issue: 1/2008
These are big pieces, all three of them, and they receive imposingly big performances. All the readings are acutely aware,...
Reviewed by Michael Oliver in issue: 4/1994
Oh, dear! A full-price CD which runs for a meagre 55 minutes and includes just four of Rossini’s youthfully engaging...
Reviewed by Richard Osborne in issue: 11/2002
Those who are familiar with Klemperer's post-war Vox LPs and live post-war recordings issued by Decca and Hungaroton, will know...
Reviewed in issue 8/1994
There is of course a great contrast between the A major Sonata‚ Fauré’s first published work for instruments without voices‚...
Reviewed in issue 10/2002
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.