Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Worldes Blis (1969) is a Song of the Earth that ends, after 40 minutes of sustained and sombre melodic evolution,...
Reviewed by Arnold Whittall in issue: 3/1994
The Stabat mater was among the first of Dvorak's works to bring him fame abroad, especially in this country, where...
Reviewed by John Warrack in issue: 2/1992
This fifth volume of the complete works illustrates to perfection Tallis’s fondness for the practice of alternatim. His use of...
Reviewed by mberry in issue: 11/2002
This musical portrait of London takes in all sorts of performance situations, from the courtly and aristocratic to more popular...
Reviewed by Fabrice Fitch in issue: 8/2009
Florentine harpsichordist Ottaviano Tenerani and Sony’s imprint Deutsche Harmonia Mundi have become over-excitable about Germanico – a peculiar early-18th-century manuscript...
Reviewed by David Vickers in issue: 13/2011
We’re not short of first-rate accounts of the Sonata that Britten wrote for Rostropovich in 1960-01. Pieter Wispelwey and Dejan...
Reviewed by Andrew Achenbach in issue: 9/2003
Herbert von Karajan (DG) has shown that, within a massed-forces, full-colour production of The Creation, considerations of pace, weight and...
Reviewed by hfinch in issue: 9/1987
Discussing the C minor Mass in a booklet interview, Paul McCreesh remarks that ‘any attempt to complete it runs the...
Reviewed by Richard Wigmore in issue: 1/2006
''Is this Britain's finest cathedral organ?'' ask Priory in their promotional publicity for this disc. Of course that must be...
Reviewed by Marc Rochester in issue: 11/1992
Any prospective purchaser might view “Bohemian Rhapsodies” in one of three ways – as a pleasing programme of violinistic showpieces,...
Reviewed in issue 5/1997
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
'This is a treasure trove of information, thoroughly recommended'
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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