Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
While many collectors obviously remain happy with the three famous numbers from Rosamunde (alongside the Overture, actually written for Die...
Reviewed by Ivan March in issue: 9/1985
Sample any of this programme half attentively and the 'impurities' of tone and pitching are obvious; but if you make...
Reviewed by John Steane in issue: 3/1994
The problem with Miaskovsky, as with any prolific artist who is less great than Mozart, is that we feel daunted...
Reviewed by Michael Oliver in issue: 1/1988
The concert at London’s Royal Festival Hall in April last year was one of those rousing ringside events where the...
Reviewed in issue 6/1998
This is the second disc from the new Black Box label to come my way. The first, an enterprising issue...
Reviewed by Michael Stewart in issue: 4/2000
On the face of it, it seems a strange idea to make a DVD recording of a man playing the...
Reviewed by Lindsay Kemp in issue: 11/2006
A real hotchpotch, this, ranging in quality from the almost comical, test-card kitsch of the Rhapsody by Alexander Adjemian (1925-87)...
Reviewed by Andrew Achenbach in issue: 11/1998
Upholders of the 'small is beautiful' argument seem to have lost out heavily in the case of Saint-Saens's Second Symphony,...
Reviewed by Lionel Salter in issue: 5/1988
''Leo Nucci has returned to his roots'', the sleeve-note informs us. The question is what has he done with them?...
Reviewed in issue 4/1990
This latest disc in Naxos’s useful but variable Haydn cycle offers solid, decently played performances of three underexposed works from...
Reviewed in issue 1/1998
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
'This is a treasure trove of information, thoroughly recommended'
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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