Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Rossini's art had come a long way from his first Neapolitan opera, Elisabetta, regina d'Inghilterra in 1815, to Maometto II...
Reviewed by Richard Osborne in issue: 6/1985
Dutchman Willem de Fesch was one of many foreign musicians who came to London during the first half of the...
Reviewed by Nicholas Anderson in issue: 6/1999
As with most good music‚ the simplest of Leonard Salzedo’s ideas leave the most powerful impression. I’m thinking in particular...
Reviewed in issue 3/2002
I challenge anyone to find me a soprano today who can sing this repertory more securely than Meyer-Topsoe. It therefore...
Reviewed by Alan Blyth in issue: 4/1997
The piano music of John Field is the subject of Benjamin Frith's latest survey, and the impression made by this...
Reviewed by Tim Parry in issue: 2/2000
Alonso Lobo (not to be confused with his Portuguese namesake, Duarte Lobo) has long been recognized as one of the...
Reviewed by Tess Knighton in issue: 12/1997
As was demonstrated on his recent disc of trumpet concertos (DG, 10/06), Håkan Hardenberger has no peers when it comes...
Reviewed by kYlzrO1BaC7A in issue: 3/2007
Schubert wanted to hear the Op 131 quartet and his wish was granted five days before he died. Wagner believed...
Reviewed by Nalen Anthoni in issue: 3/2006
This version of Abu Hassan has had rather a chequered history. Recorded in Berlin in 1941 on one of the...
Reviewed by John Warrack in issue: 9/1989
This disc concludes the complete Mozart cycle recorded by Jean-Bernard Pommier in 1982 but only now being made available in...
Reviewed by Richard Wigmore in issue: 12/1990
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
'This is a treasure trove of information, thoroughly recommended'
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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